Food nationalism

May 19, 2020

What happened?

The corona crisis has significantly increased the risk of a global food crisis. In the past months, trade restrictions have disrupted the logistics of the global food value chain of 8 trillion dollars and as seasonal workers were banned, parts of harvests have gone to waste. This means that a lot of food never reached the consumer. In wealthy countries, this has resulted in empty shelves and shortages at food banks, but for a large part of the global population, and especially in developing countries, it has caused extreme hikes in food prices and led to acute shortages. The food organization of the UN has warned that, as a consequence of the corona crisis, the number of people with acute hunger in the world will double this year, to over a quarter of a billion people.

What does this mean?

The global food system is an infinitely complex, international network of producers, distributors and consumers. The corona crisis has made painfully clear how fragile large parts of this network are. This has amplified the call to safeguard food at a national level. But similar to vaccine nationalism, food nationalism is not the right solution to the looming food crisis now. In fact, for many countries, it’s a pipe dream. The reality is that a lot of countries depend on each other for their supply of food. Singapore, for example, is 90% dependent on food imports and Iraq, formerly the granary of the Middle East, imports more than 80% of its food. The fact that grain-producing countries such as Russia, the Ukraine, Kazakhstan, Cambodia and Thailand are now pursuing food nationalist policies by restricting grain exports, is leading to alarming developments in countries that depend on their grain supply. But food nationalism isn’t just problematic for food-importing countries now. It also affects countries with revenue models based on exporting food, such as the Netherlands.

What’s next?

In the short term, it’s crucial that the international food market continues to function to prevent shortages. In the long term, however, it would certainly be worthwhile for individual countries to look into solutions in the form of shorter and less vulnerable chains and, wherever possible, more local production. Furthermore, the corona crisis could be a warning for countries not to depend on just-in-time delivery as much and to more seriously consider strategic supplies. The EU supplies are only enough for 43 days (12% of annual consumption, contrary to Russia (18%), India (23%), the U.S. (25%), and China (75%)). Europe could draw up a regional plan (instead of every European country fending for itself). Furthermore, the corona crisis could prompt countries such as the Netherlands, that depend on the supply of large volumes of resources and meat for their food exports, to think about a more sustainable revenue model, less geared towards volume and aimed more at knowledge and sustainable agricultural products.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

Researcher Julia Rijssenbeek focuses on our relationship to nature, sustainable and technological transitions in the food system, and the geopolitics of our global food sytems. She is currently working on her PhD in philosophy of technology at Wageningen University, investigating how synthetic biology might alter philosophical ideas about nature and the values we hold, as well as what a bio-based future may bring.

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