Educating vital skills for the future

March 1, 2018

With the rise of digitalization and technology, a new set of skills is needed for future work. These competences are not related to any specific domain of work. Instead, they are valued as vital for future professions in general. When these new skills are discussed in the context of educating next generations, most reports focus on a change in high school and university systems. However, it might be better to start at an earlier age given the type of skills that are at stake.

Our observations

  • The Worldwide Educating for the Future Index assesses the effectiveness of education systems in preparing students for the demands of work and life in a rapidly changing landscape. Problem-solving and critical-thinking skills are considered crucial.
  • Dublin City University (DCU) launched a new five-year strategic plan Talent, Discovery and Transformation. According to its president, in 2020, major corporations will be looking for graduates that master analytical thinking, empathy, emotional intelligence, and the ability to collaborate.
  • Tony Wagner, co-director of Harvard's Change Leadership Group, argues that today’s children are facing a “global achievement gap”: the gap between what schools are teaching and the skills young people need in general to be ready for their future.
  • Dr. Muñiz claims that automation of fairly sophisticated routine jobs is driving the polarization of the labor market. What remains are either hard-to-automate tasks that require little or no skill, or hard-to-automate tasks that require very high skills.

Connecting the dots

The demands of the job market are changing. Main reasons are the shift from an industrial economy to a knowledge economy, the interconnected nature of the business world, the increasing need to interpret data, the automation of many routine jobs, and today's fast-changing world in which the education of adolescents will not be sufficient for the 40-50 years of work that follow. An increased demand for creative, analytical, collaboration and communication skills manifested. As a result, these skills are becoming a pressing topic in the discussions about the education of future generations, and school systems are being reevaluated all over the world. The focus is mainly on changing the school curricula of students between the age of 15 and 24. Starting at that age, however, one can wonder if the attempt to develop these kind of skills will succeed.Creative and imaginative thinking, for example, are automatically present in the minds of children. Exemplary are the endless questions from the average 4 year old about matters most adults consider as obvious. A child’s ability to think “out of the box” (creative and imaginative thinking) is more natural because there is not yet “a box to think in”. By the time a child is 10, however, he or she is much more likely to be concerned with getting the right answers for school than with asking good questions or having imaginative thoughts. This has everything to do with the school systems young children participate in: repeating what has been taught is rewarded most, and this diminishes creative and imaginative thinking.Analytical thinking, to give another example, involves the use of propositional logic and preferable predicate logic, which are usually only taught in academic philosophy classes. These forms of logic are crucial to prevent fallacies in the analysis of a problem, argumentation, information, etc. When it comes to the development of these types of logic, they have a lot in common with mathematics and grammar, the later they are rehearsed, the less a student will be able to grasp and use them effectively. Instead of starting with analytical thinking in high school or university, a basic form of logic has to be implemented in the curricula of young children if analytical thinking is to be cultivated. The same reasoning could be brought forward for collaboration and communication skills; cultivating them needs to start in primary school.If this happens, your child might argue in the future that, although you told him “when he eats his supper, he will get dessert and since he didn’t eat his supper, he doesn’t get dessert,” he can still have dessert because your reasoning contains a logical fallacy.

Implications

  • When changes in school curricula are indeed needed at an earlier stadium, primary schools need to reevaluate their school systems. They should include teachings that pay more attention rewarding a child’s curiosity, getting them to think for themselves instead of doing what they think is expected of them, and teaching children how to be a community of inquiry instead of turning to a teacher to gain knowledge.
  • Cultivating these new skills at a young age might also be helpful in developing a healthy attitude towards the attention economy. To think for yourself (creative thinking) and being able to analyze (analytical thinking) the information, apps, pop-ups or push messages that persuade us to think and do things we originally did not intended certainly seems to address the troubling effects that the attention economy appears to have on our cognitive abilities.

Series 'AI Metaphors'

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1. The tool
Category: the object
Humans shape tools.

We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans.

We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time.

We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils.

Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command.
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2. The machine
Category: the object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion.
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3. The robot
Category: the object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual.
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4. Intelligence
Category: the object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me?
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5. The medium
Category: the object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message.
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6. The artisan
Category: the human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work.
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About the author(s)

At FreedomLab, Jessica's research primarily centered on the impact of technology on education and the nature of virtual reality and artificial intelligence. She is an alumna of the Vrije Universiteit Amsterdam, where she completed two degrees in philosophy and an additional research program. Integral to her personal and professional development, Jessica delves deep into literature concerning the philosophical relationships between humans and nature, and the importance of critical thinking and human autonomy vis-à-vis the impending wave of technological revolutions.

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