A new narrative for old age

May 3, 2018

We are used to thinking of growing old as an inevitable undesirability, while youth is synonymous with life, hope and growth. However, our lifespans are stretching and populations across the globe are aging rapidly. As a result, new narratives emerge about older people as tech-savvy, active and open to meaningful experiences. These are the contours of a new image for old age.

Our observations

  • Credit Suisse reports that the global population aged 60+ will rise from 900 million in 2015 to 1 billion by 2050. There will be more people older than 60 years than children younger than 15. Life expectancy will increase by one year every five years. Studies suggest that half the children born after 2000 might live more than 100 years.
  • By the end of this decade, global annual consumer spending by age 60-and-over adults will reach $15 trillion. In the U.S., the 50+ market constitutes nearly 70% of the nation's consumer spending, and older adults dominate 119 out of 123 consumer packaged-goods categories. McKinsey reports that the 60+ cohort will generate 51% of consumption growth in developed countries in the coming years.
  • In The Longevity Economy, Joe Coughlin notes that business shows itself to be trapped in an outdated narrative of older consumers by describing them as unlikely to try anything new, technologically inept, in poor health, and happy to withdraw from productive life.
  • Older consumers are more interested in the role technology could play in their lifestyles than is often assumed. Older people have widely embraced smartphones, laptops, tablets, and social media (65% of the over-50 cohort is on Facebook).
  • Beauty magazine Allure has stopped using the term “anti-aging” in order to stop reinforcing the message that aging is a condition we need to battle. The magazine wants to change the narrative by celebrating beauty in all ages.

Connecting the dots

With longer lifespans, population aging, and the subsequent rejuvenation of old age, we are forced to reconsider our perspective on what it means to grow old. Issues concerning older people have already gained significant attention (e.g. loneliness, the right to voluntary euthanasia). Moreover, a more optimistic perspective about people in old age is emerging, as businesses target their high spending power, they have become more tech-savvy, and popular culture has come to celebrate their life stage. As such, cracks are beginning to show in the narrative that aging is a process to be feared, stopped, or reversed. This shift could inspire older people and amplify optimism about old age.Rising spending power for older people is changing the perspective on consumption as being driven mainly by young people. For some products that are designed and marketed to young people, older consumers eventually become the prime demographic (e.g. certain cars, tablets). This could also apply to smart home and on-demand services. As businesses no longer consider older consumers to be technologically inept and unlikely to try anything new, a new image of old age consumption is appearing. A Toyota commercial illustrates this by showing a young woman hooked to social media, while her 50+ parents are cruising in their car and mountain biking with friends. Indeed, as older consumers become more active, tech-savvy, and increasingly look for meaning in consumption, the Hyper Experience Economy, in which experiences carry potential for personal transformation instead of mere escapism, also ties into the Silver Economy of an aging population. Likewise, in the realm of technology, we still assume that older people either do not understand or principally dislike technology. However, an alternative explanation is that older users set the bar higher for product adoption. Research shows that older people do not fear technology, but rather perceive it as liberating – indeed, most people currently aged around 50 were among the first smartphone users. Similarly, in a fascinating recent study, researchers found “extremely sophisticated attitudes” about technology’s dangerous role in daily life among “hillbillies” in rural Appalachia (people who’ve also been labeled irrationally fearful of technology). In popular culture, a different image of older people is emerging as well. Traditionally, in many Hollywood movies, seniors are underrepresented, mischaracterized and demeaned. However, more recently, some successful movies have explored aging in a more meaningful (e.g. Up, The Curious Case of Benjamin Button, Amour) and increasingly, a more optimistic way (e.g. The Best Exotic Marigold Hotel, The Bucket List, Quartet).All in all, while perhaps we will always have an overly negative perception of aging (as an equivalent to nearing death), cultural attitudes towards aging could change. Old age has always been something to be feared and overcome through, for example, “anti-aging” products. Scientists like Aubrey de Grey, an advocate of the view that we will one day control the aging process, are products of this narrative. However, in the emerging optimistic narrative, aging is something to be celebrated through meaningful consumption and an active lifestyle assisted by useful technology (compatible with an aging lifestyle).

Implications

  • Longer lifespans, aging populations, and a rejuvenated life stage for older consumers means that opportunities will rise in the smart home sector (with technology-enabled home services that provide convenience and support for older people); lifelong education (for personal enrichment and to remain competitive in the workplace); and new approaches to leisure (such as Hyper Experiences, travel, and other types of meaningful consumption).
  • Technology could increasingly be geared towards older people, and, as part of an aging lifestyle, older people could require technology more than ever with devices like smartwatches, fitness trackers, and dedicated devices with EKG trackers.

Series 'AI Metaphors'

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1. The tool
Category: The object
Humans shape tools. We make them part of our body while we melt their essence with our intentions. They require some finesse to use but they never fool us or trick us. Humans use tools, tools never use humans. We are the masters determining their course, integrating them gracefully into the minutiae of our everyday lives. Immovable and unyielding, they remain reliant on our guidance, devoid of desire and intent, they remain exactly where we leave them, their functionality unchanging over time. We retain the ultimate authority, able to discard them at will or, in today's context, simply power them down. Though they may occasionally foster irritation, largely they stand steadfast, loyal allies in our daily toils. Thus we place our faith in tools, acknowledging that they are mere reflections of our own capabilities. In them, there is no entity to venerate or fault but ourselves, for they are but inert extensions of our own being, inanimate and steadfast, awaiting our command. (This paragraph was co-authored by a human.)
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2. The machine
Category: The object
Unlike a mere tool, the machine does not need the guidance of our hand, operating autonomously through its intricate network of gears and wheels. It achieves feats of motion that surpass the wildest human imaginations, harboring a power reminiscent of a cavalry of horses. Though it demands maintenance to replace broken parts and fix malfunctions, it mostly acts independently, allowing us to retreat and become mere observers to its diligent performance. We interact with it through buttons and handles, guiding its operations with minor adjustments and feedback as it works tirelessly. Embodying relentless purpose, laboring in a cycle of infinite repetition, the machine is a testament to human ingenuity manifested in metal and motion. (This paragraph was co-authored by a human.)
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3. The robot
Category: The object
There it stands, propelled by artificial limbs, boasting a torso, a pair of arms, and a lustrous metallic head. It approaches with a deliberate pace, the LED bulbs that mimic eyes fixating on me, inquiring gently if there lies any task within its capacity that it may undertake on my behalf. Whether to rid my living space of dust or to fetch me a chilled beverage, this never complaining attendant stands ready, devoid of grievances and ever-willing to assist. Its presence offers a reservoir of possibilities; a font of information to quell my curiosities, a silent companion in moments of solitude, embodying a spectrum of roles — confidant, servant, companion, and perhaps even a paramour. The modern robot, it seems, transcends categorizations, embracing a myriad of identities in its service to the contemporary individual. (This paragraph was co-authored by a human.)
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4. Intelligence
Category: The object
We sit together in a quiet interrogation room. My questions, varied and abundant, flow ceaselessly, weaving from abstract math problems to concrete realities of daily life, a labyrinthine inquiry designed to outsmart the ‘thing’ before me. Yet, with each probe, it responds with humanlike insight, echoing empathy and kindred spirit in its words. As the dialogue deepens, my approach softens, reverence replacing casual engagement as I ponder the appropriate pronoun for this ‘entity’ that seems to transcend its mechanical origin. It is then, in this delicate interplay of exchanging words, that an unprecedented connection takes root that stirs an intense doubt on my side, am I truly having a dia-logos? Do I encounter intelligence in front of me? (This paragraph was co-authored by a human.)
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5. The medium
Category: The object
When we cross a landscape by train and look outside, our gaze involuntarily sweeps across the scenery, unable to anchor on any fixed point. Our expression looks dull, and we might appear glassy-eyed, as if our eyes have lost their function. Time passes by. Then our attention diverts to the mobile in hand, and suddenly our eyes light up, energized by the visual cues of short videos, while our thumbs navigate us through the stream of content. The daze transforms, bringing a heady rush of excitement with every swipe, pulling us from a state of meditative trance to a state of eager consumption. But this flow is pierced by the sudden ring of a call, snapping us again to a different kind of focus. We plug in our earbuds, intermittently shutting our eyes, as we withdraw further from the immediate physical space, venturing into a digital auditory world. Moments pass in immersed conversation before we resurface, hanging up and rediscovering the room we've left behind. In this cycle of transitory focus, it is evident that the medium, indeed, is the message. (This paragraph was co-authored by a human.)
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6. The artisan
Category: The human
The razor-sharp knife rests effortlessly in one hand, while the other orchestrates with poised assurance, steering clear of the unforgiving edge. The chef moves with liquid grace, with fluid and swift movements the ingredients yield to his expertise. Each gesture flows into the next, guided by intuition honed through countless repetitions. He knows what is necessary, how the ingredients will respond to his hand and which path to follow, but the process is never exactly the same, no dish is ever truly identical. While his technique is impeccable, minute variation and the pursuit of perfection are always in play. Here, in the subtle play of steel and flesh, a master chef crafts not just a dish, but art. We're witnessing an artisan at work. (This paragraph was co-authored by a human.)
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7. The deficient animal
Category: The human
Once we became upright bipedal animals, humans found themselves exposed and therefore in a state of fundamental need and deficiency. However, with our hands now free and our eyes fixed on the horizon instead of the ground, we gradually evolved into handy creatures with foresight. Since then, human beings have invented roofs to keep them dry, fire to prepare their meals and weapons to eliminate their enemies. This genesis of man does not only tell us about the never-ending struggle for protection and survival, but more fundamentally about our nature as technical beings, that we are artificial by nature. From the early cave drawings, all the way to the typewriter, touchscreens, and algorithmic autocorrections, technics was there, and is here, to support us in our wondering and reasoning. Everything we see and everywhere we live is co-invented by technics, including ourselves. (This paragraph was co-authored by a human.)
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8. The enhanced human
Category: The human
In a lab reminiscent of Apple HQ, a figure lies down, receiving his most recent cognitive updates. He wears a sleek transparent exoskeleton, blending the dark look of Bat Man with the metallic of Iron Man. Implemented in his head, we find a brain-computer interface, enhancing his cognitive abilities. His decision making, once burdened by the human deficiency we used to call hesitation or deliberation, now takes only fractions of seconds. Negative emotions no longer fog his mind; selective neurotransmitters enhance only the positive, fostering beneficial social connections. His vision, augmented to perceive the unseen electromechanical patterns and waves hidden from conventional sight, paints a deeper picture of the world. Garbed in a suit endowed with physical augmentations, he moves with strength and agility that eclipse human norms. Nano implants prolong the inevitable process of aging, a buffer against time's relentless march to entropy. And then, as a penultimate hedge against the finite, the cryo-cabin awaits, a sanctuary to preserve his corporal frame while bequeathing his consciousness to the digital immortality of coded existence. (This paragraph was co-authored by a human.)
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9. The cyborg
Category: The human
A skin so soft and pure, veins pulsing with liquid electricity. This fusion of flesh and machinery, melds easily into the urban sprawl and daily life of future societies. Something otherworldly yet so comfortingly familiar, it embodies both pools of deep historical knowledge and the yet-to-be. It defies categorization, its existence unraveling established narratives. For some, its hybrid nature is a perplexing anomaly; for others, this is what we see when we look into the mirror. This is the era of the cyborg. (This paragraph was co-authored by a human.)
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About the author(s)

At FreedomLab, Jessica's research primarily centered on the impact of technology on education and the nature of virtual reality and artificial intelligence. She is an alumna of the Vrije Universiteit Amsterdam, where she completed two degrees in philosophy and an additional research program. Integral to her personal and professional development, Jessica delves deep into literature concerning the philosophical relationships between humans and nature, and the importance of critical thinking and human autonomy vis-à-vis the impending wave of technological revolutions.

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